By Gerhard Richter
Gerhard Richter's groundbreaking examine argues that the concept that of "afterness" is a key determine within the suggestion and aesthetics of modernity. It pursues questions akin to: What does it suggest for anything to "follow" whatever else? Does that which follows mark a transparent holiday with what got here ahead of it, or does it in reality tacitly perpetuate its predecessor because of its inevitable indebtedness to the phrases and prerequisites of that from which it claims to have departed? certainly, isn't the very act of breaking with, after which following upon, a manner of retroactively developing and fortifying that from which the holiday that set the flow of following into movement had occurred?
The e-book explores the concept that and stream of afterness as a privileged but uncanny class via shut readings of writers similar to Kant, Kafka, Heidegger, Bloch, Benjamin, Brecht, Adorno, Arendt, Lyotard, and Derrida. It indicates how the vexed recommendations of afterness, following, and coming after shed new gentle on a constellation of recent preoccupations, together with own and cultural reminiscence, translation, images, desire, and the historic and conceptual specificity of what has been termed "after Auschwitz." The study's a number of analyses—across a heterogeneous choice of glossy writers and thinkers, diversified ancient moments of articulation, and various media—conspire to light up Lyotard's apodictic assertion that "after philosophy comes philosophy. however it has been altered through the 'after.'" As Richter's tricky examine demonstrates, a lot hinges on our interpretation of the "after." in spite of everything, our so much basic assumptions touching on glossy aesthetic illustration, conceptual discourse, group, subjectivity, and politics are at stake.
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Additional info for Afterness: Figures of Following in Modern Thought and Aesthetics
Pursuing the vexed concept of Rettung in the actual and conceptual dialogue between Adorno and Benjamin allows us to view the postlapsarian status of the gesture of rescuing as a way of approaching the categories of historical experience and rescuing critique in a new way. Rather than embodying stable concepts to be employed by a selfidentical critical consciousness (as exempliﬁed by the Habermasian model), these categories emerge as correlates of the relentless demand in thinking to show oneself responsible to the ways in which rescuing something or someone is inseparable from a confrontation with this action’s most successful dialectical failures.
Argues that there can be no gesture of rescuing that is not deeply inscribed in the logic of an afterness. Pursuing the vexed concept of Rettung in the actual and conceptual dialogue between Adorno and Benjamin allows us to view the postlapsarian status of the gesture of rescuing as a way of approaching the categories of historical experience and rescuing critique in a new way. Rather than embodying stable concepts to be employed by a selfidentical critical consciousness (as exempliﬁed by the Habermasian model), these categories emerge as correlates of the relentless demand in thinking to show oneself responsible to the ways in which rescuing something or someone is inseparable from a confrontation with this action’s most successful dialectical failures.
And, in fact, one might say that it is with Nietzsche’s refusal of all Aufhebung and reconciliation in the wake of loss— in what Heidegger will later refer to as Nietzsche’s ﬁnal completion and simultaneous undoing of metaphysics—that the writers treated in this study linger, each in his own particular philosophical, cultural, and political idiom. ” While Nietzsche implicitly agrees with Kant that the mind takes its laws neither from nature nor from the phenomenal world more generally but instead creates its own laws (that is, acts in accordance with the self-law-giving practices of auto-nomia rather than the state of hetero-nomia, which receives its laws from elsewhere), Nietzsche emphasizes, in part echoing Schopenhauer, the role that the Will plays in this self-constitution of the mind in relation to A Genealogical Note 35 the world.
Afterness: Figures of Following in Modern Thought and Aesthetics by Gerhard Richter