By Leo Tolstoy
Entre los grandes escritores del siglo XIX, Lev Nicoláievich Tolstói (1828-1910) ha sido calificado como genio único, sin equivalente en ningún otro país. Hijo de un acaudalado terrateniente que le dejó una fortuna inmensa, se lanzó por l. a. vía de los angeles disipación hasta que su participación como oficial durante l. a. guerra de Crimea le hizo volverse hacia unos valores humanistas y continuar una vocación literaria en los angeles que ya se había iniciado antes de l. a. guerra. El cambio afectó a sus convicciones espirituales más íntimas y desembocaría, al ultimate de su vida, en una concern ethical y religiosa que derivó hacia un cristianismo evangélico radical. Al comienzo de esta etapa escribe Ana Karenina, en l. a. que Tolstói refleja su visión de los angeles sociedad urbana, símbolo de los vicios y el pecado, en oposición a l. a. vida sana de l. a. naturaleza y del campo. De ese mundo necio y patológico de los angeles ciudad es víctima Ana Karenina, que se ha convertido en una figura clave de l. a. literatura common.
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Extra resources for Anna Karenina
A treatise on the preparation of a marketing plan would follow a very similar route to that recommended for a corporate plan. You should consider treating the marketing plan as one of the more important action plans which should arise from the corporate plan. Another important derivative of the corporate plan is the sponsorship brochure. This is an important PR document which needs to set out in an exciting and stimulating manner how the sponsorship funds sought would be employed. Highly detailed financial projections would be counter-productive in such a document.
Time must be made therefore for at least one iteration: that is, the Board agreeing WHAT SORT OF FORWARD PLAN? 39 the objective and the broad targets and the staff responding with action plans to support that objective and to achieve the targets. The interaction is important because in due course the plan will need to be implemented. Staff who have had no hand in its drafting will feel no commitment to its achievement. More than motivation is involved, however, as a plan which does not incorporate the knowledge of the staff may in fact not be achievable.
The overall capital expenditure planned, commercial revenues expected to be generated, forecasts of visitor numbers, the organisation’s revenue requirements (including manpower projections) during the period covered by the plan. A summary of financial projections both capital and revenue. (d) Capital expenditure programme. Descriptions of (and rationale behind) major schemes included in the plan, whether conversion of buildings or new galleries. (e) Revenue requirements. Assessment of the revenue requirements over the plan’s lifespan.
Anna Karenina by Leo Tolstoy