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Logic pro x tips for recording vocals free. Recording Vocals in Logic Pro X

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That will force the signal to not go over loyic dB and you should see in the meter on the channel strip that it never goes above that. A good rule of thumb is to shoot for a peak of -6 db.

Logic pro x tips for recording vocals free –


With a good mic, a decent space, and, of course, a skilled and talented performer, it should be relatively easy to lay down excellent-sounding tracks. But there are a few pitfalls that can get in the way of achieving the best vocal recordings, especially for less-experienced recordists, and people on a budget.

I remember one vocalist who just sounded too thin and edgy on that mic, but ended up sounding perfect—warmer and fuller—with a much more inexpensive condenser from a less-well-known brand which cost about a tenth of the price of the Neumann! While you may be tempted to have the singer get right up on the mic—especially if there is other sound in the room that you want to avoid leaking into the vocal track—this is not the best idea, especially with typical studio large-diaphragm condensers.

A little rhythmic swaying will probably be fine, but a lot of english may turn out to be problematic that could be partly why that famous singer from tip 1 insists on his favorite hand-held.

Two solutions present themselves. First, employ an extra stand-mounted pop filter an inch or two in front of the mic—this will offer another layer of protection, usually with little or no significant effect on the tone.

In the days of analog tape, engineers used to regularly push input levels to keep the audio above the noise floor , and if the meters went a little into the red, the resulting gradual tape saturation actually contributed a degree of analog warmth.

An incoming vocal signal level whose peaks max out between and -6 dBFS is a healthy recording level, with plenty of headroom safety margin for the occasional dramatic shout or belted high note. Though the resulting wave may look a little small in the DAW, you can always crank it up later, if need be, with no negative consequences. A little attention to these most common pitfalls should insure the best vocal recordings. More articles by this author. Joe is a musician, engineer, and producer in NYC.

He’s also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magaz Read More. Create an account or login to get started! Audio is your ultimate daily resource covering the latest news, reviews, tutorials and interviews for digital music makers, by digital music makers.

Log In Create Account. A NonLinear Educating Company. Recording vocals is arguably easier than recording a drum kit, but there are still common mistakes to avoid when laying down vocal tracks or recording vocal talent. Here’s six things to bear in mind. Joe Albano More articles by this author. Related Videos. Let’s find out! Discussion Baraba. Great article, Joe. However, I do have one thing that I could never really understand, although everyone seems to agree it’s the right thing to do, I am missing something.

I have a nicely treated DIY room, a decent condenser and a preamp combo. Here’s my issue – recording at dBfs or so is an easy concept to grasp but I don’t get HOW I can crank it up later when all it’s going to do in those “intimate” parts is, well, noise, especially when compressing. What is the trick, method, idea? Recording down around is designed to avoid possible input clipping, but at any level, if the room is too noisy, those sounds will intrude later. The best approach is to prevent that leakage at the source — try and isolate the mic a bit better, taking advantage of its directionality aim it away from noise sources and using baffles commercial or DIY if possible to block out a quieter area in the room.

Try to eliminate or isolate noise-generating elements fans, whatever ; seal windows if outside sound is part of the problem.. If none of that is possible, running the track through a noise gate in playback or using the DAW’s “Strip Silence” function may eliminate the leakage between phrases, but won’t help if unwanted sound is audible at the same time, under the vocal. Ideally, you’ll want to find a way to create a less noisy environment at the source..

Cheers, Joe. Is it on the actual track in the DAW not the mixer track? Hi Dimka – As you noted, cranking up a track with its channel fader will increase the level but won’t make the wave appear larger. But there should be a couple of ways to do that.. Many DAWs have a waveform zoom feature that increases the size of the wave visually, without actually changing its level.

To increase both level and waveform size, you could use the DAW’s offline audio editing feature, if it has one i. Many DAWs also have a region-based Gain feature i.

Clip Gain in PT, region Gain in the Logic Inspector , etc –this would let you non-destructively increase the level of the wave before it passes through the channel strip, and the size of the waveform would reflect the gain change, just as if it had been recorded at a louder level in the first place..

And you don’t want to record vocals in an untreated, rectangular room, either. It picks up unpleasant standing waves. I’ve seen effective “Vocal booths” made up of hanging clothes forming a “V” with the Mke in the middle. Hi, I’ve just started to try and record a bit of my own vocals using my I pad with a couple of different apps one being cubasis.

Now I’m a complete novice but almost every time my vocals they record low and if I ramp the audio interface up which I’m using my YAMAHA mg10xu at the moment I get the pops and crackles. Is there something I am doing wrong. There are several gain controls in the path of a mic signal on that mixer as on any mixer , and they all need to be set at the best positions for good, clean sound — this is called “gain staging”.

I’d also set the Compressor knob to its lowest position and the EQ flat. As you sing, advance the Trim Gain until the Peak LED on the mic channel starts to flash, then back off slowly until it stays dark. Then increase the mic channel’s Level knob until the level on the mixer’s LR output meter goes no higher than -6 dB making sure the Peak LED still stays dark. Assuming the mixer is also your USB interface, it should show a similar setting.

A “good level” would be anywhere from around up to -3 dB on the DAW’s channel strip meter — again, assuming you have the meter set to “Pre-Fader Monitoring”. Assuming you’re recording at 24bit resolution, even a slightly lower level should be fine.

If the wave is too small to see clearly, you could either make it larger graphically if the DAW has an option for that , or via clip gain if available , which will also crank the audio level I don’t know if any of that would be available on an iPad app. Most people describe the sound of overloaded audio as “distorted” or “crunchy”; the term “pops and crackles” is more typically used to describe intermittent noises that are typically the result of too low a Buffer setting in the interface’s Audio setup, but that shouldn’t occur only as a result of level settings, it would normally happen independently of level.

Anyway, try the gain staging I described if your settings are different , and see if that helps.. Thanks Joe for the detailed information I shall have a go. I do have a focusrite 2i2 audio interface but unfortunately an i pad won’t power it as it’s powered by the USB. I just don’t want to spend any money yet though till I’m confident with the software. I use Cubase 5 to record but I every time I record I keep hearing the instrument in the actual vocals.

I have the Presonus Audiobox USB 96 and record the backing tracks outstanding but when i try to record vocals i get nothing with either program or microphones.

I use Audio tracks instead of midi. I have the inspiron core 17 intel. Any ideas on how to fix my problem. I used to record vocals with the Sonar but on another computer. Thanks in advance for your help. Want to join the discussion? Featured Articles. Related Articles. Spotlight Courses. Categories News Reviews Tutorials Interviews.


CreativeLive: Free Live Online Classes.Recording Vocals in Logic Pro X – Logic Fiends

Logic Pro X Tutorials. The one in the diagram below is pulled down slightly to Logic ‘s Platinumverb used to be top of the Logic reverb range, but it’s really not that great. Recording vocals, in a generic sense, has been covered in Sound On Sound on numerous occasions, but this time we’re going to look at the process of recording and processing vocals using Apple’s Logic. Different musical styles demand different approaches, but if the end result sounds right, then it is right. EQ is best applied after pitch-correction, and what you need to do, as always, is emphasise the positive aspects of the source sound while reducing any unpleasant characteristics. However, the most important thing is to start with a good, clean recording made in a well-damped or acoustically sympathetic space, as any boxiness caused by the room can’t be fixed afterwards.


Integraudio | Audio Plugin Reviews, Tips, Guides & Tutorials For Music Production.Better Vocals In Logic

Shift click the track headers of all of your vocal tracks, which will select all of the audio regions in all of the tracks (they should be. First drag (from left to right) in the upper part of the Time Ruler bar in the Arrange window to mark out the section you want to record, activate the punch-in/.



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